Face to Face with Shiloh from Kennedy Violins

Continuing our “Face to Face” series, we are excited to introduce the newest member the Kennedy Violins team: Shiloh Congleton. Prior to joining the staff at KV, Shiloh apprenticed one-on-one for several years under an exceptional luthier and master repairman at one of only a handful of shops on the West Coast authorized by C.F. Martin & Co. After performing warranty-related work on Martin instruments, Shiloh’s professional training has given him the ability to recognize the subtle differences that make an instrument perform both as it should and at its best—the latter for which he strives.

shiloh
Shiloh Congleton, Kennedy Violins Luthier

1. How long have you worked at Kennedy Violins?

I have worked at Kennedy violins since Dec. 2013.

2. What is your favorite thing about working at Kennedy Violins and why?

My favorite thing about working at Kennedy Violins is that we are able to offer instruments at almost every price point, enabling most anyone with the desire to play  an instrument to be able to afford one, whether it be through a rental program, an entry level instrument or a high end setup, thereby spreading the power of music as far as we can.

3. What is your favorite instrument/product that Kennedy Violins carries and why?

My favorite product that we carry is the Bunnel violin outfit. Although many of the other instruments that we carry are “better”, I feel that the Bunnel is the perfect balance between affordability and playability. As mentioned in my response to question #2, my favorite thing is putting instruments in the hands of those that wish to play them. Sadly, beginning musicians often quit because the entry level instruments available in their price range are simply of such poor quality that they do not sound good and/or are difficult to play. I feel that our Bunnel line of instruments successfully bridge that elusive gap between affordability and quality.

4. What is your favorite band/musician/composer?

Possibly the most difficult question to answer ever… but my favorite musician (this year) is Peter Green.

5. If you didn’t play the violin/viola/cello/guitar, which instrument would you play?

I would wish to play the cello.

6. Which musician (alive or dead) do you wish you could play with?

I plead the fifth.

7. What are you looking forward to most in the upcoming year?

This year I am most looking forward to completing the instrument builds that I have begun.

8. What is something interesting that we don’t already know about you?

I have two connected toes on each foot!

9. What is your favorite thing to do when you aren’t working at Kennedy Violins?

My favorite thing to do when not at Kennedy Violins is to build instruments and spend time with my beautiful wife and daughter.

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Learn more about the amazing members of our Kennedy Violins staff on our About Us page!

When NOT to Practice Your Instrument

Hate to “break” it to ya, but you may need to lay off practicing for a while. (Photo by James Lee)

We’re always telling you to

PRACTICE PRACTICE PRACTICE PRACTICE PRACTICE PRACTICE PRACTICE PRACTICE PRACTICE PRACTICE PRACTICE PRACTICE PRACTICE PRACTICE PRACTICE PRACTICE PRACTICE PRACTICE PRACTICE (Why don’t you read Kennedy Violins‘ article “The Art of Effective Practicing” while you’re at it) PRACTICE PRACTICE PRACTICE PRACTICE PRACTICE PRACTICE PRACTICE PRACTICE PRACTICE PRACTICE PRACTICE—

—but, like your mom’s nagging, all this talk of what you should be doing all the time can make you feel seriously guilty anytime you decide to take a little break. And yet, sometimes,

 IT’S OKAY NOT TO PRACTICE.

Serious musicians who take a break (whether it be a day, week, month, or year) from practicing for whatever reason often feel guilty or even depressed as a result. For regular practicers, not practicing may feel like

  • not brushing your teeth
  • wearing the same underwear all week
  • letting dishes pile up in the sink
  • not checking Facebook

 

WHEN NOT TO PRACTICE

Cut yourself some slack. Here are a few instances when you probably shouldn’t (or literally can’t) practice:

  1. Right before a performance. WARM UP, but don’t wear yourself out with a real practice session. Tune, play a few scales, and review a few tricky passages, but don’t wear out your fingers the morning of your big performance.
  2. During rehearsal.  We know you’re just itching to work on (or show off) that tricky lick in the concerto you’re working on, but spare your conductor and your stand partner. Rehearsal time is never practice time—it’s unprofessional and distracting.
  3. When you’re really, really tired. There is apparently no difference between driving sleepy and driving drunk. Practice when you’re that tired and you’ll likely not even remember what you practiced. You might even fall over and impale yourself with your bow. Don’t kill yourself—get some sleep and practice in the morning when you’re fresh and alert.
  4. When you’re injured. This totally sucks, but if you have tendonitis, a broken arm, or some other injury that requires rest and recovery, you’ll just have to take a break, perhaps missing an upcoming performance or even a whole orchestra semester or season. Take your mind off your inability to play by focusing on another hobby or skill you can practice or develop during your “off-season.”
  5. After you’ve played a recital. If you don’t take at least a day off after a huge performance, you’re probably obsessed. And that’s okay.
  6. When you really deserve a break. Maybe you’re just shy of your goal to practice 5 or 10 hours a week. If you just can’t squeeze in those last couple hours, think back on what you have accomplished and start fresh next week. It’s more about the quality of your practice—not the quantity—anyway.
  7. When someone asks you on a date. Seriously, music nerd! Put down your instrument and put on your dancing shoes! Bach isn’t your boyfriend—but this guy might be if you give him a chance.
  8. When someone dies. If you’re really hard-core, you may consider death to be a lame excuse. But when big life events happen—births, deaths, marriages, etc.—it’s time to focus on what’s really important in life, which is more than music or your personal agenda. Take time out to develop relationships, be there for others, and take care of your family and friends. That’s the real stuff of life.
  9. When you have a fever over 104°. Put your violin down and go see a doctor.
  10. When you’ve practiced so much that you hate your instrument, your teacher, and music all together. You may be at a point where your instrument is like a really annoying two-year-old constantly screaming bloody  murder in your ear, demanding all of your energy, and keeping you up all night. It’s time to get a babysitter (i.e. your violin case) and step away for a breather. People tend to appreciate things (kids, instruments, food) when they haven’t seen them for a time. Take a moment to step away and 1) ask yourself why you play your instrument and 2) think of all the things you love about music and how it enriches your life.

WHEN YOU COME BACK

When you do come back to your instrument after a short (or long, if necessary), reprieve, you’ll likely appreciate it much more than you did before your separation, breakup, or last “big fight.” Hopefully you’ll be able to kiss, makeup, and get back to making beautiful music together.

But in the meantime, enjoy the break. You deserve it!